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Untitled, 2017, acrylic, pen and ink of canvas, 27.5 x 36 cm
The Tower, 2019, ink, pen, watercolour and texta on Arches paper
C to the P to the T to the S to the D, 2018, ink, pen and watercolour on arches paper 21 x cm
It's a Wild World, 20016, acrylic, graphite, oil pastel on arches paper, 29.7 x 32 cm
Layer #8 of Map for Time Travel, 2018, ink, pen and watercolour on paper
Page One, 2018, acrylic, ink, pen and watercolour on paper. 21 x 29.7 cm.
Nightmare in Darling-it-hurts, 2017, photo collage.
Recalibrating Atoms, (detail), 2016, ink, graphite, oil pastel, 29.7 x 32 cm
Holy Fuck My Back Hurts!, 2018, ink, pen, watercolour on arches paper, 14.8 x 21 cm.
Untitled, 2018, graphite, ink, pen, texta and watercolour.
My Future (Was) Static, 2016, etching, acrylic and lazer print, 16 x 23 cm
Unveiled, 2018, ink, pen and watercolour on Arches paper, 14.8 x 21 cm
“I Swear to God (& oh gawd), Demons of Depression Reach Through the Television Anytime You Watch Netflix.”, 2018, ink, pen and watercolour on Arches paper.
Reading Blake (and thinking about James Packer's soul), 2015, acrylic, ink and graphite on canvas 120 x 110 cm
This work was part of a group exhibition, ‘To The Point’ supporting the elderly as they were eviected from their homes in Millers Points and the rocks. Read more here: http://millerspointcommunity.com.au/sally-cushing/
For the Dear Departed / When Tim Left Us, 2004, dry-point etching, 28.3 x 24 cm
Awaiting the Intervention of Grace, 2018, conte, ink, pen and watercolour on Stonehenge paper. 76 x 56 cm.
Page from sketchbook, 1998
We Are a Threefold Flame, 2016, mixed media on paper, 30.5 x 42.5 cm
Closer, 2019, graphite, ink, pen, watercolour and texta on paper, 76 x 56 cm
Hearing Something Else, 2014, digital print, 29.7 x 42 cm
High Adventure / Shoot Safe, 2016, acyrilic, ink, pen and texta on arches paper, 28.5 x 38.5 cm
Untitled, 2018, ink, pen and water colour on arches paper, 21 x 29.7 cm.
Yo La Tengo, 2015, acrylic, ink, marker pen on canvas, 27.5 x 36 cm
© Sally Cushing 2019